Donated by Jerad Hoff.
The following is a reprint of an article from the "Rage" newspaper supplement
of "The Fargo Forum". This article is dated 9/22/94.
From the Cradle.
Eric Clapton.
Best Cut: "Groaning the Blues"
Worst Cut: "I'm Tore Down"
Must be the eighth wonder of the world.
How can a white guy from England can play the blues like this?
Legendary guitarist Eric Clapton goes back to his roots with his
lastest offering "From The Cradle."
He Draws on blues greats like Willie Dixon, Freddie King, Lowell
Fulson and Elmore Hames for what could be a tribute to thier writing on this
CD.
From Dixon's "Hoochie Coochie Man" and "Groaning the Blues" to
Fulson's classic "Reconsider Baby", Clapton puts on a remarkable preformance
of blues standards.
This recording was essentiallly done live in the studio with very
few overdubs and gives the listener the feeling of being in a late-night
Chicago blues club.
It was American blues that was making its presence felt in England
that Clapton heard as a teen-ager and inspired him to pursue a life of living
and playing the blues. The bent note, an electric lead guitar stule of
playing by artists such as Freddie King and B.B. King, is what sealed his
interest.
As an 18-year-old in 1963, Clapton woke up a lot of folks around
London's emerging R&B club scene with his blues-tinged playing with supergroup
The Yardbirds. The group soon wanted to veer off into psychedelic,
chart-topping singles and television appearances, wanting no part of that,
Clapton split.
His dedication to the blues and the substantial club following he
had established with the Yardbirds led him to be recruited by another white
British bluesman of that period - John Mayall - for his band, The
Bluesbreakers. At age 20, he jumped at the chance to join such a prestigious
unit.
Clapton did some of his most fiery playing of the blues on the 1966
album entitled "John Mayall and the Bluesbreakers with Eric Clatpon. "Many
consider this effort to be one of the pinnacles of Claptons career and like
"From The Cradle," much of it's basis is drawn from the Delta Blues genre,
with numbers penned by the likes of Otis Rush, Willie Dixon, Robert Johnson
and Luther Allison. Both releases were done with minimum overdubbing, indeed,
the Bluesbreakers session was recorded in a single day and had that live feel.
An understanding of where this talented musician has come from
illuminates the direction and tone of "From the Cradle." A listing of
subsequent bands Clapton played with reads like a Who's Who list of blues-rock
music. He formed the critically acclaimed power trio Cream with bassist Jack
Bruce and drummer Ginger Baker that lasted from, 1966-68; teamed up with 16
year-old Steve Winwood in Blind Faith which lasted just 11 months after its
formation in early 1969; Derek and the Dominos in 1970 which produced probably
his most recognized song "Layla" and a string of successful solo releases
throughout the 1970s, '80s and early '90s.
This all has laid the foundation for his relentless pursuit of the
blues. The 16 tracks on this CD are quite a seminar from one of the masters.